By Matt Lindsay
At the end of 2017, my wife Abby and I traveled for just over two weeks to South Africa and Victoria Falls. The main purpose of the trip was to visit Abby’s cousin and her family, who are currently serving their third tour as employees for USAID in Harare, Zimbabwe. We agreed to meet them in Cape Town for the Christmas holiday, but spent the first four days of our vacation in the eastern South African Lowveld on the Timbavati Game Reserve. From our lodge in the bush, we were treated to twice-daily guided game drives where we saw an unbelievable array of wildlife: endless birds, baboons, leopards, lions, giraffes, rhinos, elephants, and more.
After relaxing days on safari, we flew to Cape Town to meet up with our family for the holiday. Despite being a world away, Cape Town felt very familiar to us San Franciscans. The center city is densely populated and sits at the foot of towering mountains that overlook the broad bay. During our stay, we experienced some of the city’s most popular attractions, with a hint of Bay Area nostalgia: urban hikes (Lion’s Head and Table Mountain), great museums (Zeitz MOCAA), wine regions (Stellenbosch), a decommissioned island prison turned historic landmark (Robben Island), and even an impending water crisis…
After Christmas, we flew from Cape Town to the border of Zimbabwe and Zambia where the Zambezi River surges over Victoria Falls and cuts a narrow canyon through the surrounding hills. Despite a few frustrating border crossings and battling the crowds at the falls, we found unmatched natural beauty at the falls and in the surrounding river valley. From our river lodge, we were also able to explore local villages and spot more wildlife including hippos, crocodiles, monitor lizards, and monkeys. After fifteen incredible days, our first visit to Africa was over and we made the long journey by plane straight over the top of the globe and back to San Francisco.
Spring Has Arrived at the Firehouse!
Despite the rainy weather in the first few months of 2018, we’ve been keeping busy here at Feldman Architecture with staff hires, exciting events, and new projects on the horizon!
We’re pleased to announce that our recently completed Slot House(below) in Los Altos Hills will be showing at the 2018 AIA Silicon Valley Home Tours on May 5th!
Purchase tickets for the event here!
Photo by Harold Gomes
On Thursday, May 31st, we will be hosting an Open House in our newly renovated Firehouse Design Studio. We are looking forward to officially introducing our firm to the neighborhood!
In addition to welcoming neighbors, colleagues, and friends to our new home, we have partnered with Rebuild Wine Country and will be raising money during our event to support efforts to rebuild the communities that are still recovering from the North Bay Fires last October.
We will be holding a raffle during the event and would greatly appreciate any gifts you would consider contributing. If your company would like to participate by donating goods or services for our raffle, please contact us at email@example.com. All participating companies will be added to our sponsors list and acknowledged via newsletter after the event!If you’re interested in giving a monetary donation to our cause, please do so HERE! Thank you for your support!
Rebuild Wine Country, in partnership with Habitat for Humanity
Feldman Architecture is continuing our commitment to the AIA 2030 Challenge, pushing our buildings to be carbon neutral by the year 2030. Last month we hosted our local 2030 Working Group, where sustainability leaders from firms across the city came together to discuss their progress towards meeting their ‘green goals.’
We looked at the data we’ve collected, issues we have come across, and strategies to reach carbon neutrality. Reporting for 2017 was due at the end of March, and the group will meet again soon to look at how we all fared on our way to meeting our 2030 goals.
We’ve also already welcomed three new faces to the team this year! Serena Brown joined the firm as our newest studio assistant. She’s recently returned to the bay area after living a year abroad in Japan. Quick to pick up the inner workings of the office, she is now working to expand her architectural knowledge. Chris Kay (the second Chris in our office now) recently moved to San Francisco from Birmingham, Alabama. He’s worked in machine shops and robotics labs and is excited to turn his attention back to his first love– architecture. Michael Trentacosti is our newest hire and comes to us from New York. He is passionate about green design which is reflected in both his work and his love for the outdoors.
Some of our staff members have had the opportunity to travel in the recent months. We’re especially jealous of Ben and Matt who traveled to East Asia and Africa respectively. Stay tuned for more on their adventures on our blog later this month!
With our portfolio constantly expanding, we invite you to follow us on social media. Please check out our Facebook, Instagram, Twitter, Pinterest, Houzz and of course our website to view all of our latest projects. We hope everyone has had a successful and fulfilling 2018 so far and we look forward to connecting with you all this year!
– Feldman Architecture
By Serena Brown
As an architectural firm, we’re always looking for new ways to expand our creativity and invite new inspiration. At our latest Third Thursday, Hope Mohr, of Hope Mohr Dance, stopped by to share her own unique creative process and offer some advice on what values we as artists could share.
A world famous choreographer, curator, writer, and Columbia Human Rights fellow, Hope has striven to deconstruct the intersection of dance and poetry, while continuously supporting her fellow artists. She pulls inspiration from other creatives around her—painters, writers, even historical buildings and their illustrious beginnings.
Hope began the session by introducing us to case studies based on two of her previous works, Stay (2015) and Precarious (2017). She familiarized us with her inspirations for both and the way she harnesses her dancer’s agency during the creative process. Creating art for art’s sake is a strong motivator for her pieces, as she isn’t afraid to bring the audience into the realm of the uncomfortable.
Photo: Hope Mohr Dance
In order to make her dances evoke the same feelings as that of a painting or work of literature, she spends months researching and preparing potential artistic influences. Her 2015 piece in particular, drew inspiration from the works of Francis Bacon and his use of saturated colors, distorted figures, and arrow motifs.
One of her goals for the performance was to force both herself and her audience to stay longer in moments of discomfort, and to incorporate uncommon silhouettes and images. She noted, to our interest, that she often choreographs her pieces without music, and has a sound engineer create the soundtrack at a later date. In this way the movements are a direct response to the physical subject matter, rather than the instruments of a song.
Photo: Hope Mohr Dance
Towards the end of the hour, Hope touched upon one of her upcoming pieces extreme lyric I and asked our staff for an architect’s point of view on using polarized light. The discussion that followed evolved into a conversation about the ‘client’ of her work, be it the audience, dancers, or even herself. When designing a building, the client is more often than not involved directly in the creative process. In her dances however, Hope was wary to identify a specific client, for her works are not entirely for the dancers nor the audiences who view them. The question of clientele holds true for any artist, who exactly is one creating for?
Our time with Hope concluded with her sharing a list of values she’s cultivated over her many years as an artist. She encouraged us to properly do our research, and to be receptive to what the work wants, rather than what we want. She also noted that what a project calls for on its surface may be different from its driving force and to never stop doubting throughout the entire process. Reaching out into the unknown is also a key point to her, as is spending time with yourself in solitude, in the “real, secret studio.”
Her advice rang true with many of our designers, who, despite a lack of dance background, could relate to and understand the unique struggles of a creative. We all hope to see Hope’s new performance extreme lyric I in October of this year and if we’re lucky enough, have her come back and speak again.
Photo: Hope Mohr Dance
Thank you for the inspiring talk Hope!
Check out Hope Mohr Dance’s upcoming performances on her Website
By Serena Brown
The birds were waking up on a drizzly Friday morning when the staff at Feldman Architecture gathered coffee-in-hand at one of our local project sites. Conveniently located just a twelve-minute walk from our new office, the recently renovated condo sits tucked away in the rear of a shared lot on Russian Hill. The original home, built in 1895 was of a single story with a small storage attic. In the 1930’s the home was lifted and an additional story was added below. As part of the remodel, the attic space was lifted to create habitable space, a complete 3rd story with a cozy loft and roof deck that offers views of the entire Golden Gate Bridge.
Chris and Jess led the tour through the house, starting with the bottom story bedroom and snaking our way up the twisted staircase. Almost all rooms in the house have gorgeous floor to ceiling steel windows, crafted by Architectural Iron Works in San Luis Obispo. During our short visit, the clouds opened up to drop a quick downpour which I personally found beautiful to watch through the glass panes. The entire condo feels homey and comfortable, exactly what you’d want on a dreary day in the city. Two large dog beds sit in the corner of the master bedroom, offering a clearer picture of the cozy comfort the homeowners must experience.
Once we’d all gathered on the top floor, a group photo was taken before the rain started up once more. From our vantage point, we were able to watch the clouds get closer, and listen to the drops hitting the skylight above. Of all the things to grab the staff’s interest, the thermostat became a topic of discussion for a solid five minutes, before the group moved downstairs to discuss the merits of a glass door refrigerator. Soon after, Jeff, our in-office weatherman, notified us exactly when there was to be a break in the storm, which is when we gracefully made our exit.
Having joined the firm just three short weeks ago, this was my first experience on-site for any of our projects, completed or otherwise. I’m looking forward to visiting many more in the future, hopefully on sunnier days!
From the Iron Chef competition to the rejuvenating Third Thursdays, every part of my experience at Feldman Architecture this summer has been a thrilling challenge from start to finish, especially the occasional morning maneuvers through all of the office dogs.
Diving into a proposal for a project during my second week was an effective way to be put under the spotlight and face the real world. An unmatched opportunity to witness the progression of a collaborative design process, the many projects I helped out with were a true test to my ability to overcome challenges.
I would like to thank everyone, and especially Humbeen, for helping me learn through my stumbles and falls, and for making my experience so fun. I accrued a multitude of skills and a plethora of knowledge during the two and a half months of working at Feldman Architecture. For instance, I can now confidently say that I know how to disable the office alarm without frantically pressing all of the buttons. It has been a real pleasure to be a part of such a vibrant work environment.
Thank you for being such a wonderful team, I hope that I can cross paths with all of you in the near future. It has been a pleasure to get to know all of you !
Just around the corner from our office, on a quiet stretch of Montgomery Street lined by brick facades and a procession of leafy trees, William Stout Architectural Books has offered a quiet refuge and resources to the neighborhood for twenty years. With over 20,000 American and international titles in the fields of architecture, art, urban planning, graphic and industrial design, furniture design, interior design, and landscape architecture, the discreet bookstore has become both a neighborhood staple and tourist destination.
Bill Stout, the store’s eponymous founder, began as an architect and still “lives, eats, breaths design and architecture,” according to Carolina, an expert in design publications and a store employee. Over thirty years ago, Bill began bringing architectural books back from Europe for friends, and eventually turned the hobby into the business that it is today, which includes a publishing company for talented architects with little exposure. Bill’s passion for design has attracted equally passionate employees; Carolina comes from a family of designers and printers, and she studied Graphic Design in college.
Her colleague, Ian, used to practice design fulltime, and before becoming an employee at William Stout, he was a customer. Indeed, many of the store’s customers are professionals in the industry who come to William Stout in search of inspiration or insight. Ian describes them as “people who use the books for function rather than leisure,” and says that the comment he hears the most often is “I wish I had more time!” Not only do customers wish for more time to pour over the many volumes on the crowded shelves lining the stores walls and creating aisles in the center of the crowded space, but they are also often required to make a return visit to tap the considerable knowledge of the store’s employees like Ian and Carolina. William Stout has become a networking tool, or “directory,” the pair says, and they are often asked to recommend professionals as resources or consultants for their customers. As it grew to become a cultural hub, the store’s clientele expanded to include tourists, as well. “It’s a destination,” Carolina explains. “You come here just like you would go to the MOMA.”
While the clientele has changed over the decades, the passion behind the business and the bones of the operation have remained true to their original forms. Even the rise in digital publishing has done little to curb the store’s success. Carolina believes that they experience of thumbing through a book, its “tactility” and “intimacy,” is too different from browsing a publication online for the two media to be in competition.
With a treasure trove of monographs on talented architects, complete with stunning images and well-honed text, it is challenging for a publication to stand out on the shelf and in the mind of the reader. According to the pros at William Stout, though, there are a few qualities that make a publication compelling. “Type is essential,” says Ian, whose own favorite book in the collection, Manuals 1: Design and Identity Guidelines, explores examples of graphic design from companies and institutions who capitalized on the science behind what makes a certain font, layout, or color scheme more compelling. Monographs published in an architect’s prime, or even as promotional material for newer firms, can be just as successful as books published at the end of an architect’s career. “Both have great energy” explains Carolina, “It’s the enthusiasm and confidence of the younger architects versus the experience and wisdom of the more accomplished ones.” She finds herself drawn to collections that exhibit a “formidable character,” identifying Louis Kahn as engaging individual who maintained the same level as artistry in words as he did in his designs; if the architect’s a compelling person, his or her book will be, too.
At Feldman Architecture, we feel lucky to have such a rich resource just around the corner, available for insight or inspiration on any day of the week. It is clear that Bill Stout’s passion for the intersection of design and books both casts a legacy that will remain meaningful for decades to come and extends to his employees. As I step back across the shop’s threshold and into the sunshine of Montgomery Street, I catch Carolina pulling a definitive guide to graphic design off of the shelf for a customer at the front of the store. Flipping through its pages, slowing to show its glossy images to the woman at her side, she smiles. “This is kind of like the Bible,” she says.
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