2030 Commitment Action Plan

In December of 2016 Feldman Architecture signed onto the 2030 Challenge and AIA 2030 Commitment, two programs that are promoting a vision that calls for all new buildings, developments, and renovations to be carbon-neutral by 2030. As part of this commitment Feldman Architecture’s Sustainability AOE has crafted this Action Plan to serve as a roadmap to help us achieve our goals, as well as to encourage more sustainable practices within the firm. In it we outline short and long-term goals in areas that go beyond just sustainable design, including community outreach and office culture. To learn more, click on the Action Plan below:

Getting to Zero National Forum

By Sophia Beavis

At the end of April, I had the opportunity to present and attend Getting to Zero National Forum in Pittsburgh. This conference brings together thought leaders from across the country to discuss pathways to carbon neutrality. I always come back from conferences reinvigorated with new ideas for project goals, and the GTZNF was no exception.

I kicked off the 3 day conference with an 8:30am presentation with my co-presenters, Heather Jauregui and Katie Herber from Perkins Eastman. Together we gave our presentation entitled “How Do You Measure Up? New Ways to Evaluate Project Success”. It was a pretty lively 1.5hour session. We first gave a brief presentation covering what high performance means, and the types of metrics used to measure its success in pre and post occupancy studies. We then broke out into 3 groups that rotated every 10 minutes, allowing participants to learn about and use all the tools we’d discussed. Overall our audience was very engaging and had lots of questions about how to start Pre and Post Occupancy Evaluations at their own firms. I think it was a good opportunity for people to get hands-on experience with tools they may have heard about, but not had the chance to use. I’m hoping we inspired people to start their own office toolkits and studies.

Once our presentation was over I was able to enjoy the rest of the conference. One of the conference events was a happy hour at the Phipps Conservatory which has two Living Building Challenge Buildings on its campus. I had seen photos of the buildings, but it was cool to see them in person and peek into their mechanical rooms.

One of the keynote speakers was Andrew McAllister from the California Energy Commission. Being from California, I found his talk particularly interesting as he showed how the CA code is going to step up to become carbon neutral – including in 2 years how new homes will be required to have solar panels. It was interesting hearing from him how CA has these efforts within the state code, but in the end it’s up to the local jurisdictions to enforce it. This was a theme that came up in a number of sessions – how do we ensure that the entire hierarchy from the state level to the local building inspector are pushing the same goals towards carbon neutrality?

Paired with the keynote session, I heard from David Kaneda at Integral Group who talked about the “duck curve” in Net Zero Energy Design. The duck curve is the graph which shows power production over the course of the day and shows the imbalance between energy production and peak demand. At the “belly of the duck” we have an over generation risk that causes the grid to become overloaded and the energy to go to waste. Ideally the curve would look flatter, and more like a duckbilled platypus.

One way to solve the duck curve is by using batteries that can release energy during peak demand, often in the evening when there is no energy being produced. An interesting example of the duck curve causing problems is that for 14 days in March, the state of California paid the state of Arizona to take our extra energy produced during the daytime because our grid couldn’t handle all the production power. California even ordered some solar plants to reduce their production during this time. To me this means wherever we are installing solar panels, we should be installing batteries for on-site storage so that we do not further the grid being overloaded with energy production.

Another great session I attended was by Chelsea Petrenko who lead a study of CA residential homebuyers and owners to evaluate their interest in and understanding of a Net Zero Energy (NZE) home. The study found that less than 50% of homeowners knew what a NZE home was, yet people rated energy efficient design as a very important attribute when searching for a new home. I found it interesting that most people would pay a 2-4% higher price for a NZE home. This is interesting because studies have repeatedly shown that construction cost for a high performance building is less than 5% higher than a typical one. So if people are willing to pay 5% more, why aren’t we spending less than that in construction to build an energy efficient building? I think people often have issues with increased upfront cost, but the gains in profit seem to outweigh the upfront cost in almost every case.

I went to many other interesting sessions, but these were the highlights for me. They almost left me with more questions than answers, and triggered my brain to think about how I as an individual, and those of us in the architecture profession can be doing more to reduce our reliance on fossil fuels. In the United States, 39% of energy is consumed by buildings, so as architects we have have a lot of influence over our energy future.

Meet Our First Summer Intern!

We’re so excited to introduce our first summer intern, Parker!

Parker will be joining Feldman Architecture for the summer of 2018, helping us on a few projects we have in progress around the office! He is currently studying to get his B.A. in Architecture at Syracuse University in New York after having studied architecture for four years at Lick-Wilmerding High School in San Francisco. He is a contributing editor to the arts & culture blog Warm World Productions and as a San Francisco native, enjoys sailing, photography, traveling, and taking walks with his dog at the beach.

Welcome Parker!

Staff Spotlight: Sophia Beavis

Q: Where are you from?

I’m from here! I grew up down in Palo Alto, then went to the University of Washington in Seattle for undergrad. I came back to Palo Alto for a year to work in an architecture firm nearby, then moved to Eugene, Oregon and attended the University of Oregon for grad school. After graduating I moved to Tahoe for a year to work at a residential firm, then back to San Francisco where I live now. I like to say I’m from the west coast, although I did study abroad in both Italy and Copenhagen while in school.

Q: Who is in your family?

I have a gigantic family, and it’s really close knit. My immediate family includes my husband Charlie, my brother, parents, and I, but I have 13 cousins and my mom is one of five sisters. There are 29 of us on my mom’s side and we get together at least once a year. Like I said, tight knit. I actually grew up a mile away from my aunt and her family, so I saw my cousins a lot. Charlie’s parents live in Half Moon Bay, so his side of the family is nearby to. I always thought it was nice to have family close by.

In terms of careers, my husband is a special education teacher here in the City, my dad is an engineer of supercomputer architecture and mom is a strategic implementation manager at Wells Fargo. I say she makes processes more efficient– she really likes efficiency. I think that’s where my love of efficiency comes from. My brother also works at Wells Fargo, but he’s a strategy and data analyst for one of their internal groups. He’s a year and half younger than me so we grew up pretty close. We never fought as kids and were always close friends.

Q: Describe your favorite movie or book in a way that would make me want to read/watch it.

Let’s start with my favorite movie. Actually, I don’t know if it’s my favorite, but there’s a story that goes along with it. So I don’t like flying, but I did a lot of it since I went out of state for college. Back in the days before in-flight movies I would keep one movie on my Ipod- Legally Blonde. It’s now become very comforting and I tend to watch it anytime I feel stressed, or anxious. I feel like it’s similar to eating good mac and cheese. Comforting.

Favorite book is harder, I love most of the books that I’ve read. Right now I am loving the Dharma Bums – I love the idea that you can’t fall off a mountain. The biggest problem my husband and I have when we move apartments is the number of books we collectively own.

Q: When did you first develop an interest in architecture?

Architecture has sort of always been in my life, my grandpa was an architect. My cousins and I used to spend chunks of the summer at his house. He’d take us to his office to play with blueprint machines, pencils, and trace. Back then though, I wasn’t really aware of what architects did.

In college I was on the crew team and therefore got priority registration for classes so that they didn’t conflict with our practice times. This meant that I could enroll in difficult to get classes. Freshman year I signed up for art, calculus, and calculus based physics. Sometime during the year my art teacher held check in’s and asked me what I wanted to do. I told her I was thinking about structural engineering, since I like both building and drawing. She asked me if I’d ever considered architecture and that was my light bulb moment. It was when architecture first really entered my radar. The timing worked out too, I transferred into Architecture my spring quarter of freshmen year and started the prerequisites the following fall quarter!

Q: What kinds of projects do you most enjoy working on?

I had sort of a funny path to get to where I am now. Both my 1st and 2nd jobs were at residential firms, so after working there I thought I should try something else. While working at EHDD in the city, I designed aquariums, schools, student housing– all giant projects. They were so massive that the career path at that firm, to me, was to become a project manager, and that doesn’t necessarily involve a lot of design. I like our projects because you can work both with design and with consultants. You get to wear a lot of hats. I also really enjoy projects that have constraints—like particular quirks of the client.  One fun instance was when we had a client tell us “we want chickens on our roof!”

Q: How long have you worked at FA?

I’ve been here a year and a half now, since September of 2016.

Q: What makes our office unique?

I like our size, we’re not too small or too large, it still feels like a family. We also have a lot of different projects going on at the same time, so lots of interesting things are always going on around the office. Everyone here is really smart and works hard, which I think is pretty unique. Everyone is just good at their job.

Q: What’s your favorite part about coming to work?

I love bringing Moo (my dog) to work. Plus, if you couldn’t already tell, I like the people here. I like my projects too. And I don’t get bored.

Q: Do you have a professional role model?

My role model has changed over time, I think that there are a lot of amazing women in architecture, but at the same time, there aren’t. There are a lot of different people I respect but I don’t think any of them are famous. I just have a lot of amazing people in my life.

Q: What’s your design process like?

Sometimes a little schizophrenic, like my brain, but it all comes together. I like to use a lot of tools at once, so I tend to have trace, Sketch Up, Revit and everything else open at the same time. I like to leverage them all together. I’ll zoom out to look at the massing of a building but also focus on the small details. It can seem chaotic since there are so many moving parts, but that’s how my brain works.

Q: Where do you see yourself in 10 years?

In 10 years I see myself moving out of San Francisco to somewhere more in nature, raising kids with my husband, working at a firm on the weekdays, and taking the family on adventures on the weekends. I really enjoy being out in nature, especially for running! I like to run really long distances on the weekends. I ran a 50-miler in Marin County one weekend and it took me 11hrs and 22min. We started in Marin and ended it by running across the Golden Gate to Chrissy Field. It was potentially one of the hardest things I’ve ever done, but also one of the most satisfying. I was laughing and smiling and crying as I crossed the finish line. There were just so many emotions all at once.

Portland in 48 Hours

By Evan McCurdy // Photos by Liza Karimova

Recently, Liza and I spent a short rainy weekend in Portland. Traveling around with a group of 8 friends, we were in search of two things: beer and architecture. In that order. We made the most of our first day in Portland by exploring Kengo Kuma’s pavilions at the newly renovated Japanes Gardens. It was an absolute architectural gem. Soon after, we found ourselves wandering from brewery to Powells bookstore to brewery to Voodoo donuts. We also managed to discover many street murals, food trucks, and coffee shops. Not bad for under 48 hours!


Third Thursday April 2018: Jefferson Mack Metal

By Serena Brown

Asking myself where to properly store a custom fire pick in my apartment was never really a question I’d anticipated asking. However it’s exactly the mental discussion I found myself in after spending an enjoyable and informative evening at Jefferson Mack Metals.

For our most recent Third Thursday, the office was invited to participate in a blacksmithing demonstration with Jefferson in his San Francisco workshop. As a full-time blacksmith, he is dedicated to creating beautiful, unique, honest pieces, rooted in the traditional aspects of metal working. Our experience was equal parts learn by demonstration and learn by doing, as we were able to take part in creating our own metal art with the help of the talented workshop designers.

The evening began with a meet and greet over charcuterie, followed by a quick gallery tour. Jefferson Mack is known for innovative metal design, the more “out-there” the better. The small room was filled with delicate sculptures, wall pieces, and serpentine furniture. Our designers were particularly drawn to an upright pendulum, situated at the front of the garage workspace. As we admired the array of pieces, Jefferson explained the history of his practice and the different collaborations that had occurred over the years. In conjunction with Aaron Gordon Construction Inc., he hosts monthly workshops similar to the one we attended in order to allow suppliers and clients alike to get a taste of the process behind their requested pieces. He’s also worked with various artists and other creatives to forge everything from gazebos to cutlery!

Before beginning the hands-on portion of the evening, Jefferson sat us down for introductions and an explanation of the process. Then, in groups of three we began forging our fire picks. To begin, the steel metal rod was heated in one of their few furnaces to a temperature of about 2246 degrees Fahrenheit. Together with a resident blacksmith, we each hammered the tip to a point, bent it over an anvil at a 90 degree angle, shaped the handle, and added decorative twists.

Since our group was only 10 large, each interaction felt extremely individualized. I was able to spend as much time as I desired hammering, twisting, and perfecting my piece. The atmosphere was lively and comfortable, and not as hot as I’d expected! The entire process took a little over an hour, leaving plenty of time for chatting and refreshments at the conclusion of the evening.

Before departing, we were able to watch Jefferson in action, forging delicate spirals out of the hot metal with seemingly little effort at all. He also passed around a few small pieces from his gallery, and opened the floor to questions. The conversation focused around the history and background of blacksmithing, at what age each artist started, how long an apprenticeship generally lasts, and what metals they typically work with at the shop.

At around 8pm it was time to leave and we were all struck with a similar thought: Would BART or an Uber be a more appropriate mode of transportation home while carrying a newly forged fire pick? We were split on the answer.

Our experience at Jefferson Mack was warm and inviting in more ways than one and a truly beneficial experience to designers and office assistants alike! Now all that’s left is finding a fireplace or planning a company camping trip to use our new tools! We invite you to learn more about their fantastic studio and the craft that they’ve mastered on their website!

Thank you so much for having us Jefferson and we look forward to collaborating with you in the future!

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Staff Spotlight: Humbeen Geo

Q: Where are you from?

I grew up in the San Fernando Valley, a suburb of Los Angeles. It’s a stereotypical suburb with very little of interest. Though the actual neighborhood was fairly boring, the upside to living there was its central location to both downtown proper and Malibu beach. Everything was a 25-30 minute drive away.

Q: Where did you go to school?

I went to Berkeley, which is when I moved up to the Bay Area. College was a great experience. It was my first time living on my own while meeting a ton of new people. Plus, I loved the food. I actually ended up staying in Berkeley a year after graduation before moving up to San Francisco.

Q: Tell me about your family.

Both my parents emigrated from Korea. My mom stayed at home while my dad was a dental technician/ceramicist. He made dental veneers, which was decently lucrative in LA. Lots of people want nice teeth there.

I have two younger brothers, Humsheen and Humjune (gets confusing, I know). My parents put us in the same group activities when we were younger. I think we all secretly chafed at the same forced interests; we’ve since greatly diverged in our studies and hobbies. Humsheen recently moved up to San Francisco to work in software at Pinterest. Humjune is living in Santa Cruz, but I don’t actually know what he’s doing. Last I heard, he was working at a chocolate confectionary as a baker.

Q: When did you first develop an interest in architecture?

Growing up I had no exposure to architecture. I didn’t know anyone who worked in the industry. When it became time to choose a major for college, I decided on architecture almost on a whim. Therefore, I was thoroughly pleased that I did, in fact, love architecture: the layered scales of design and its applied nature. I liked that there were rigorous problem solving constraints behind the art.

Q: What kinds of projects do you most enjoy working on?

I’ve enjoyed small scale projects where I can go deep into detailing and idiosyncratic considerations of each client & house. I like staying involved with the interiors, specing fixtures, finishes, and designing casework. I would love to work on a super sustainable house sometime in the future.

Q: How long have you worked at Feldman Architecture?

I’ve worked here since fall of 2013. I was a contractor until becoming full time in 2014. My first job out of college was working as an intern at Steven’s old company. I ended up joining him when he made his transition here.

Q: What makes our office unique?

Well, it’s the only one I’ve been exposed to so far. I’ve heard horror stories from my friends though. Architects may go to school for design, but when they get promoted or start their own business, they suddenly become business managers who lack the fundamentals of running a business. Compared to other places, the fact that we even have staff meetings on Mondays is unique. There is a level of transparency in this office that I greatly appreciate.

Q: What’s your favorite part about coming to work?

The people. I’ve been here a really long time so I’ve gotten to know a lot of the team. Everyone here is very easy to work with. The variation of tasks alone makes each day feel different.

Q: Describe your ideal weekend

I’d be camping– either on a road trip or backpacking. Currently, I really want to visit Montana, where I’ve never been. I’ve mostly camped in California, but I recently went on a van trip in the southwest. Every day we went to a different national park, while hiking most of the day. It was pretty perfect.

My favorite place to backpack is the John Muir Trail. My housemate recently did a month long trek from Yosemite to Whitney.

Q: Do you have a professional role model?

I don’t like role models in general, but I have firms that I really like. My current favorite is Snohetta, they’re based in Oslo and New York, but they do have a satellite office in San Francisco during their time working on the SF MOMA addition. I like their portfolio of work. It would be really exciting to design big, public spaces like opera houses and museums. They are a multifaceted design firm, complete with their own branding division.

Q: What’s your design process like?

A lot of iterative sketching. There is a lot of inspiration online. I feel like that could easily turn into a crutch, but reference images and case studies are often very helpful. It’s important to always be cognizant of the site context; we aren’t designing on blank tableaus.

Q: If you could live forever, would you?

You know, there’s a difference between immortality and invulnerability. If I was just immortal, definitely. I think I would explore nature with all my free time. I would never run of out places to explore, even with multiple lifetimes. A lot of the bad rep around immortality comes from people thinking they would get bored. But so much is happening and technology is ramping up! The future is exciting so I’d like to see it.


Filoli Photo Journal

By Liza Karimova

The tour begins! Here we see the front facade of the 1920’s house. It was based on the Muckross house in Ireland, as an attempt by the owner to make their daughter and Irish husband live in America. Only the front 2 columns were made out of marble to cut costs, and all materials are locally sourced. The walls are 4ft thick and hollow in the middle. Fi-lo-li is short for Fight, Love, Live, words that the original owners lived by.

Many of the rooms in the house, just like this one, are replicas of famous libraries and chambers from all around Europe.

The house is known for it’s numerous charcoal portraits by John Singer Sargent.                                             To avoid disturbing the line of sight, the light switches are hidden in the columns!

There are 16 acres of gardens!

Thousands of tulips are planted every year. Right now they are in full bloom.

The garden remains mostly unchanged from what it was in the 1920’s. Except for the addition of an olive tree grove, and some fruit and vegetable species.

Irish yew trees are strategically scattered around the garden to anchor the view.                                                                                          Hairy tulips!

Percy, the only inhabitant of the gardens!

To learn more about Filoli and how to plan your own visit, head on over to their website!