In May 2009, five curious new wavy red-roofed bus shelters were constructed around San Francisco. Their unorthodox design and interesting features have garnered recognition in many circles around the world, but very few have heard of the highly innovative and collaborative story behind this great green project.
According to Lundberg Design project manager Ryan Hughes, the biggest misconception about the project was that funding came entirely from the city of San Francisco. Instead, the city served as an enabler and beneficiary. The SFMTA administers a long-term lease of the new bus shelter locations and advertising space, making the city a major beneficiary of the project, in terms of revenue and public infrastructure, but not the project’s financial investor.
Typically, bus shelters are financially viable because they are paired with large advertising boards, which outdoor advertising agencies negotiate rights for. In late 2006, SFMTA issued an RFP for a 20-year lease of the bus shelters as the current contract was coming to a close. The scope of the RFP included the design and construction of 1100-1500 new bus shelters, which called for integrated solar power or green features, and universal design/accessibility requirements. In return the companies had exclusive rights to sell advertising with over fifty percent of the revenues to go back to the city. The RFP bidders (and ultimately, the contractor for these innovative new bus shelters) were all major outdoor advertising companies such as CBS/JC Decaux, ClearChannel Outdoor and CemUSA.
The three outdoor advertising companies each submitted between 10-15 new shelter designs, for a total of about 35 designs to be reviewed by various city agencies. Clear Channel Outdoor chose to take a local route, hiring three San Francisco-based architecture firms to come up with designs. The boldest entry came from Olle Lundberg of Lundberg Design, who proposed a glowing wavy translucent roof as a signature feature. The shape was chosen to evoke both the multiple hills that make up San Francisco’s dramatic landscape, as well as the seismic waves triggered by occasional earthquakes. While unconventional, the strength of the strong design statement was undisputed and Clear Channel Outdoor was eventually rewarded the contract, exclusively using the Lundberg Design bus shelter.
Striking as the roof was, it served as more than just a dramatic design gesture. There was a strong ecological justification behind the translucent red panels and the design and material selection process is a unique case study for innovation and material development. Lundberg Design searched high and low for a material appropriate to realize the curvy wave form. After considering glass and metal, they worked closely with 3form, a company known for their composite plastic materials, to adapt their Koda XT line, which includes 40% pre-consumer recycled plastic. Koda is a highly durable polycarbonate material that can withstand the toughest exterior conditions: wind loads, moisture, thermal expansion in heat and contraction in cold. Working together, Lundberg Design and 3form modified the shape to take advantage of the strengths of the Koda material, adding additional thermo-formed curves to the originally flat end portion of the roof, to allow the ½” thick polycarbonate to span over four feet between the roof supports without sagging.
To raise the bar on ecological design performance, the designers wanted the roof to be a productive element itself. The original design intention was for the roof to filter light but also harness light to create electricity. Looking for the right photovoltaic product to integrate with 3form’s Koda line required a lot of collaboration. Konarka Technology is a plastics company that makes a polymer based photovoltaic film, Power Plastic, which differs from typical photovoltaic cells that require silicon. Konarka’s film consists of an organic dye printed on a clear plastic substrate to convert sunlight to electricity. The inspirational design concept led to a pioneering project to encapsulate the Power Plastic modules into a colorful three dimensional and resilient structure. The challenge for Lundberg Design, 3form and Konarka was to develop a manufacturing process and assembly detail that would essentially assimilate the Konarka Power Plastic film to the curvy Koda XT roof structure without damaging the photovoltaics, and while maintaining a clean layout with even spacing of the photovoltaic film pieces. After several rounds of testing lamination techniques and the development of custom molds, 3form devised the optimal assembly and process conditions to allow for successful lamination of the Konarka Power Plastic to the bold colors of the curvy Koda XT panels.
But what were the photovoltaics for? The bus shelter roof was designed to produce enough electricity to do several things: 1) power an LED message board that gives NextBus updates, 2) power “Push-to-Talk” features which reads the NextBus information aloud for hearing impaired travelers, 3) operate a wi-fi router and 4)power lights for advertising panels at night. During the day, the roof generates more electricity than the NextBus sign,” Push-to-Talk” and wi-fi router requires and the shelters actually add energy to the grid. Working with PG&E, the design team managed to connect the shelters directly to the grid and outfit a meter that runs in reverse. At night, lighting the advertisements within the shelter consumes grid power, but the overall electricity usage is close to the amount generated by the panels.
In the seven months since five prototype bus shelters were installed, representatives from Konarka have tested the performance of the integrated solar panel, and found it to be performing slightly above expectation. From the general assessment by Lundberg Design’s team, overall the shelters break even in terms of energy usage, generating enough power during to day to power all functions and sell energy back to the grid, and by night, spending about the same amount of energy that they put into the grid.
The San Francisco Bus Shelters are a great new model for green architecture, not just in terms of design, but in terms of technology and innovation, collaborative partnerships and a financial viability. For many of us who believe in the value and practice of green principles in our design work, realizing green projects may require changes in our practice models. The standard architect-client relationship may not be enough, and creating innovative, high impact design projects may require engagement and collaboration with a broader spectrum of stakeholders. The success of the SFMTA Bus Shelters is a strong example not just of the design potential but of the partnership possibilities.
Elaine Uang works at Feldman Architecture.
Sustainable cities require sustainable communities as well as care for the environment. Brazilian architect, Jorge Mario Jauregui has been working in Rio de Janiero for the last fifteen years to use his skills as an architect to bring infrastructure and community facilities to the informal communities throughout the city known as favelas. Favelas, which house about 20% of the city’s population, have been growing in pockets of unclaimed land throughout the city for the past 100 years. However, since unplanned and originally unsanctioned by the government, these communities lack infrastructure and public social spaces.
Jorge has coined the phrase “favela-barrio” to describe his approach to urban design in the favelas. Literally translated as ‘slum-neighborhood’, it expresses the idea that these informal developments, or shanty towns, are here to stay and are thriving communities; and with some infrastructure and public space can be transformed into neighborhoods. Jorge envisions the potential of the existing network of paths and roads. His architectural interventions involve providing basic services such as water, electricity, and footpaths, and often incorporate the creation of facilities that promote interaction in the form of recreational and community centers. The structures proposed and built by Jorge’s firm are bold and iconic, creating a strong sense of place.
In a project currently underway, Jorge is creating public space in the Manguinhos favela on existing train tracks that bound the community on one side. These train tracks will be elevated and the space below will become a linear park, defined by the conjugation of spaces, activites, buildings and vegetation. Facilities in the park will include sport, cultural, and income generating facilities, with a focus on providing children and teenagers with alternative attractions that will integrate them into the community. The space will also incorporate a new public transportation hub.
This new metropolitan park will be an articulator, attracting favela residents as well as a larger public from the surrounding communities. As an integrated public space it eliminates the existing barrier and transforms the space from divider to connector. By directly intervening at the physical boundary of the favela, Jorge is directly confronting the deeper socio-economic divide that has plagued the city for decades.
Read more on Jorge’s website at: http://www.jauregui.arq.br/
Bridgett Shank works at Feldman Architecture. She had the opportunity to work with Jorge Jauregui in Rio De Janiero.
Those people who want energy efficiency but are turned off by the compact fluorescent lamps (CFLs) that they are finding at their local home stores should take a look at cold cathode fluorescent lamps (CCFLs). They come in the shapes that we all use, such as household bulbs, flame tip and globe; and are available in numerous color temperatures. My personal favorite color is the 2250K.
The household bulb version of this lamp is the Micro-Brite by Litetronics (www.litetronics.com) is the MB-801DL-2250K, which is a beautiful warm incandescent yellow. These dim with a standard incandescent dimmer and have close to full range dimming capabilities. They last from 18,000 to 25,000 hours and retail for around $12.00; saving from $33.00 to $73.00 in energy costs over the life of the bulb. They can be purchased on-line at such websites as www.1000bulbs.com.
A note about the accompanying images- The CCFLs pictured here have clear glass envelopes to show what is going on inside but are available with white glass envelopes as well, so that they look like their incandescent counterparts.
CCFLs come in the most popular sizes
- This CCFL globe light shows the warm color
- This sconce uses an 8-watt CCFL
- This six foot pendant uses (3) 8-watt CCFLs
To get more tips on lighting or to learn more about our services go to www.randallwhitehead.com
Randall Whitehead IALD is an internationally known architectural lighting designer, based in San Francisco. He is not only a prolific author, but an enlightening and humorous speaker on the world of design as well. His work has appeared in Architectural Digest, Art & Antiques, House Beautiful, Kiplinger’s, Horticulture Magazine, Designs for Living, Metropolitan Home, Better Homes & Gardens, The Journal of Light Construction and many more.
Randall appears regularly as a guest expert on the Discovery Channel, CNN, HGTV and Martha Stewart Living Radio. He also writes a monthly column called “The Last Word in Lighting” for Residential Lighting Magazine, answering homeowner’s and designer’s questions on lighting.
Randall has written 7 books on the subject, including Residential Lighting, A Guide to Beautiful and Sustainable Design which is an informative…and entertaining reference book for home and garden lighting.
His latest endeavor takes him back to his photography roots. It is a compelling collection of images called Lost Dolls, The Hidden Lives of Toys.
Green Building Practitioners are noticing three trends that, while not new concerns, truly speak of the momentum gathering within the sustainable design movement. One is the issue of water scarcity, second is the issue of environmental chemicals emitted by and residing in our built environment and third is the interest in adding the component of social justice to our battery of integrated building design strategies. I see these three paths as critical components of a broadening new way of practice.
At GreenBuild last month, I attended several sessions given by lawyers, educators, builders, planners, engineers and architects on the issues of water efficiency and maximization. Some common themes surfaced throughout the presentations. Most salient were:
The relationship of water and energy. Known as “watergy” or “embedded water,” it is interesting to note that treating and conveying water is not only the most expensive component of the cost of water, but also the most energy intensive. We must start to connect our water use policy with our energy policy and to find more energy efficient ways to deliver water to and within buildings.
The end of landscaping.Solutions to current water scarcity involve incorporating at least 50% of appropriate, climate adaptive plant species as part of the landscape and providing alternative means of irrigation through captured rainwater and stormwater and building-issued greywater. Municipal water should be thought of as a supplementary, rather than primary, source. The era of the fantasy landscape is over.
We must stop using drinking water to flush waste. Other sources water are on site greywater, rainwater, municipal reclaimed water, mechanical water (from blow-down or condensate) and blackwater.
Centralized wastewater treatment is wasteful and inefficient. Wastewater treatment plants need to be localized, even to the neighborhood scale. They should be thought of as a source of renewable resources, as they offer opportunities to harvest nutrients such as ammonia, nitrogen and phosphorous rather than expend dollars on their removal and disposal. Our infrastructure needs to be re-vamped from a combined sewer system to a split wastewater/stormwater management system. Because wastewater is electron-rich, it is also time to start thinking of wastewater treatment plants as sources of energy.
What does this mean to green designers? It means that landscape designers need to concentrate on species selection and water infiltration. An example of this “spread and infiltrate” strategy is to divert runoff to a series of tree planting basins or rain gardens. For architects and builders, this means a new way of assessing how we convey water to, in and around buildings. Is the building a treatment facility? Has a water budget (catchment area multiplied the amount of rainfall) and water footprint been calculated? How do we design to make conservation easier for the user?
rainwater harvestingrainwater tank
Barriers:Several barriers compound the challenging issue of maximizing water efficiency. Water prices are artificially low, thus stymying innovative technologies. Another barrier is the apprehension about using greywater indoors due to insufficient treatment of potential contaminants. Last, current rating systems do not consider water issues as a whole. LEED splits water credits into two categories of credits, sustainable site and water efficiency. Rating systems should focus on more than just fixture selection, irrigation controls and stormwater diversion. It’s time to think of water design on the community level, as holistic, land-based management, as a watershed, that will steer building design, community design and infrastructure planning to a greener, more water-abundant future.
Marian Keeler, Assoc. AIA, LEEP AP is the author of Fundamentals of Integrated Design for Sustainable Buildings, Wiley, 2009.
It’s Saturday morning laundry time. The washer spins and shakes, clothes are cleaned while the dirty water flows outside to irrigate fruit trees. There’s something satisfying about this
simple shift: a slight change in a mundane chore has reduced water consumption, taken a load off the sewer treatment plant, promoted food security, and saved time and money.
Over the past few decades reusing water from showers, sinks, and washing machines, called greywater reuse, was mainly embraced by the “do-it-yourself” community. Handy people rerouted their pipes, diverting this resource away from sewers and septic systems, out to trees, bushes, and other landscaping. Though popular, all this was technically “illegal”, surprising in a state like California, fraught with drought, water rationing, and proposals to spend billions of dollars on new dam construction.
Greywater use is regulated by the state plumbing code, which historically was very restrictive and made it overly expensive or outright impossible for people to get permits for greywater. This resulted in almost zero compliance of the code (of the estimated millions of greywater users in the state, there were only a few hundred permits), a lack of professional installers, and a huge amount of misinformation about the best ways to reuse greywater.
In 2008, Alan Lowenthal, a State senator from Long Beach, CA, wrote a “Shower to Flower” bill (SB 1258) that mandated a code rewrite of the old greywater code, moving regulatory power from the Department of Water Resources (DWR) to the Department of Housing and Community Development (HCD). HCD convened a series of stakeholder’s meetings to gain input from greywater experts, health departments, building departments, water districts, and other concerned citizens, as well as analyzed existing studies and codes on greywater.
Recipe for a code change:
* 3 stakeholders meetings in Sacramento
* hundreds of letters, emails, and phone calls in support of a friendly greywater code *drought
* increased water rates
* mandatory water rationing in many districts
*extensive time and research from HCD staff
*greywater friendly codes examples in Arizona, Texas, and New Mexico
*media coverage of greywater success stories
*green job potential
Mix ingredients together during a time of “drought emergency”, sprinkle a few newspaper articles about people successfully (yet illegally) saving thousands of gallons of water with simple, safe systems, add a dash of green jobs potential in a failing economy,
season with forward thinking individuals in charge of the process.
Results: A new greywater friendly code
The new code removed barriers for simple, low cost greywater systems. Now washing machine systems do not require a permit, only compliance with state-published guidelines, and no inspection. Permits are still required for systems that alter existing plumbing, larger systems, and the section of code governing indoor reuse is not complete.
Gardens are flourishing
The biggest effect of statewide greywater reuse, aside from the happy plants, will be the ability of professionals to incorporate greywater into their business Landscapers like, Deva Luna from Earthcare landscaping in San Jose (www.earthcareland.com), offers greywater to clients. Other gardeners like David Mudge from David Mudge’s Gardens in Martinez, California, use greywater as part of sustainable permaculture design practices.
a greywater garden
The greywater goes out of the house through the floor and travels across the crawl space underneath the house. The auto-vent is inside the house since it needs to be at the high point of the greywater line.
Our water future
While greywater policy advances, California water policies lag behind. State government and local water districts continue to seek out unsustainable sources of water; from destructive new dams, overdrawing from rivers and ground water, costly desalination plants, and expensive recycled water. As regulatory barriers are removed, decision makers need to include and promote sustainable practices such as greywater reuse, rainwater harvesting, and waterless toilets as a path to a sustainable water future.
There are a few things people could do.
1. Write a thank you note to HCD for the new code: James Rowland firstname.lastname@example.org
2. Write to the local building department/inspectors/city council telling them how happy you are that it’s easier to install legal greywater systems and encourage them to support greywater use. (possibly by promoting it with education, demonstration projects, information on their websites, etc.
Laura is a founder of Greywater Action and has spent a decade exploring low-tech, urban sustainable water solutions. She has a BA in Environmental Science, a teaching credential and a masters in education from New College of CA. She is a co-editor of the anthology Dam Nation: Dispatches from the Water Underground
Greywater Action offers presentations and hands-on classes on sustainable water use technologies. See www.greywateraction.org for more info.