By Serena Brown
Initially we’d planned to go to Italy. I’d visited the country twice before, but my sister is studying abroad in Florence until mid-December and visiting her seemed like the perfect excuse to jet off to Europe at the end of the year. As the months went on however, I felt pulled in a different direction and decided to travel to places unknown rather than familiar. My boyfriend Jeremy has never been to Europe, but Spain has been at the top of his travel bucket list for years. Together we decided to do 11 days in Portugal and Spain, embracing the warm weather, vivid culture, and delicious food the Iberian Peninsula has to offer.
On September 15th we touched down in Lisbon—exhausted, excited, and on my part, moderately queasy thanks to a questionable airplane meal. Portugal was surprisingly easy to navigate due to the legality of Uber and the fact that most people we encountered spoke English. Our AirBnB was positioned up in the hills of Alfama, one of the city’s oldest districts, home to twisting cobbled streets and hidden artisan shops. Just up the hill from our apartment was a beautiful Mirador, or lookout point. Our driver made a point to take us there first to “understand the beauty of the city you have just arrived in.”
Lisbon is sometimes referred to as the ‘San Francisco of Europe’ though perhaps it should be the opposite due to their dates of conception. Regardless, I quickly noticed the similarities. Both cities are built on various hills, have a famous red bridge, and Lisbon’s Tram 28 is strikingly similar to San Francisco’s cable car. We learned later that Lisbon’s iconic red bridge was not built by the same architect as our own Golden Gate, but rather by the same firm that built the neighboring Bay Bridge.
The next few days were spent exploring the city; getting lost down its small streets, and eating amazingly delicious Portuguese food, paired with wine of course. On our second day we took a day trip to the nearby city of Sintra, known for its abundant palaces and gorgeous hilltop views. We were able to visit three landmarks during our day trip: The National Palace, Moorish Castle, and Pena Palace. The latter two were the most impressive, boasting well preserved walls and turrets, breathtaking views, and in the case of Pena Palace, more colors and tiles than I’m used to seeing in estates back home. Since all the palaces are positioned up in the hills above the old town, there’s a handy tourist bus for getting around. That’s not to say we didn’t walk our fair share of stairs and hills before heading back to Lisbon for dinner.
As Flamenco is to Seville, Fado is to Lisbon. Restaurants with performances of the traditional Portuguese melancholy ballads can be found throughout the old town. Jeremy and I had made reservations at Senor Vino’s and were pleasantly surprised at how much we enjoyed the show. The restaurant’s intimate setting paired with a fabulous meal and hauntingly beautiful music made for a wonderful night. The following day was our last full day in Lisbon so we took advantage of the numerous free walking tours and learned some history. Free walking tours can be found throughout most major cities in Europe, with the guides requesting tips as compensation at the end. Our tour lasted about 3hrs and took us all over the neighborhoods of Alfama and the lesser known Mouraria, with our guide giving us an extensive but enjoyable lesson on the city’s history. A highlight of the tour was trying the city’s famous Ginja, a cherry liquor, at a local laundromat.
Leaving Lisbon we flew to Spain, landing in Seville where we spent about four hours visiting the Cathedral and Giralda Tower before hopping on a train to Granada. Our time in Granada was largely spent walking and eating. The first day we visited the famous Alhambra, getting happily lost in its expansive gardens and beautiful palaces. Unfortunately, we weren’t able to get tickets to the Nasrid Palaces for the same day, but instead found an evening tour for the following one. If anyone is planning to visit Granada anytime soon, I recommend buying all tickets in advance! That evening we instead sought out a tapas bar recommend by a few girls in our hostel. The wait was long but the food was worth it. Plus, we made a detour for takeaway churros on our way back home.
Day two found us seeking out graffiti in the district of Realejo. There we saw many murals by the famous local spray-paint artist Raul Ruiz, also known as ‘El Niño’. At around 5pm we found ourselves on yet another walking tour which took us up into the hills behind the city to the old town of Sacramonte. This neighborhood used to be home to the Gypsys and still holds reminders of its past. Vagabonds, drifters, and artists still live in some of the old cave dwellings in the hills, having outfitted them with solar panels, water tanks, and occasionally walls and floors as well. We were lucky enough to visit one such cave due to the owner’s relationship with our tour guide. It was definitely a trek to make it to his home, high in the hills above Granada’s city center. Afterwards, our group was able to catch the sunset from the steps of a nearby church, watching the last rays of the day hit the roofs of the city and walls of the Alhambra before drifting down behind the mountains.
As I’d mentioned before, we had secured a night tour of the Nasrid Palaces for that evening, so we essentially had to book it down the ‘mountain’ (I’m reluctant to say hill because it felt so high), across the city, and up once more to the Alhambra, all in about an hour. We made it, but our legs paid the price the following day. I’m happy though, that we made the effort, because the palaces were as absolutely breathtaking as everyone had claimed. The detailing of the walls, tiles, and floors were so exquisitely made. The ceilings looked as if they were carved out of soap, rather than stone, and the colors shone even more vividly in the surrounding darkness. Even through our exhaustion we were able to appreciate the immense care and devotion that went into creating the beautiful space and I would have loved to visit once more to see it in the daytime as well.
The next day we left Granada and headed back to Seville. Our limited schedule meant that we really only had one day to see the sights in the city, so we fought through the heat and our tiredness to visit Real Alcazar. Even after seeing the beauty of the Nasrid Palaces in Granada, I was still blown away by the craftsmanship of this palace. I was especially excited to walk around the gardens since they were a filming location for the Water Gardens of Dorne in Game of Thrones. Of course that evening we had to see a Flamenco show, being in Seville, and partake in some local dishes before getting a good night’s rest for the next long day ahead.
For our final full day in Spain, we took a day trip to the small village Sentenil de las bodegas and the town of Ronda. One of the eight Pueblos Blancos (white villages) of the northern part of the provinces of Cádiz and Málaga in southern Spain, Sentenil de las bodegas is worth a trip all its own. Named after its once flourishing wineries (bodegas) the village is uniquely built into the rock faces that surround it, having been hollowed out by the river years and years ago. Many of the small shops are carved into the hillside, creating streets of cave-like structures. The two main roads, Cave of Sun and Cave of Shadows, are lined with tapas bars, bakeries, and bars. This specific town has been on my travel bucket list for some time now, and I was happy to finally see it in person.
After leaving the Pueblos Blancos, we drove to the mountaintop city of Ronda, famous for its placement above a deep gorge. The gorge splits the city between its old town and new town, with the two connected by a large stone bridge called Puente Nuevo. The first thing we did upon arrival was hike down into the gorge, just far enough to get a view of the bridge from below. We also saw people rappelling down the waterfall beneath it—notes for next time! Walking around the city led us to many gorgeous viewpoints overlooking the impressive gorge and surrounding valleys. Since we’d stopped here for lunch we popped into a local tapas bar to sample some of the fare. I wish we’d had more time to explore the city, as well as more energy, since before we knew it, it was time to head back to Seville.
The final days of our trip were spent flying back to Lisbon and onward to San Francisco. The trip felt both exceedingly short and quite long, as we’d packed many cities and activities into just over a week. Generally when I travel I try to see as much as I can and this trip was no different. It was a welcome respite from the day-to-day routine of work and play, but I definitely felt like I needed a vacation from my vacation upon returning home. If anyone is interested in seeing further photos from my trip, I invite you to visit my VSCO page for my chosen favorites. As always, leaving the country always gives me the travel bug so my next trip is already on the books—I’ll be trekking to Machu Pichu with my mother and sister next June! Stay tuned!
By Tai Ikegami
This summer, I learned how to drive on the left side of the road as we covered the North Island of New Zealand on a family vacation. After spending a couple of nights in Auckland, we headed north to the Karikari Peninsula, driving through stunning sceneries along the way, and foraging for mussels at Langs Beach. There were almost too many beaches, waterfalls, caves, etc. to keep track of, but Maitai Bay was a definite standout with its picture perfect crescent beach. Luckily for us, it was the off-season so we had the beach all to ourselves!
We headed back down south after a few days, passing back through Auckland and further south to check out the glowworm caves in Waitomo, followed by Hobbiton. I have not seen any of the Lord of the Rings movies but the Hobbit village was a big hit with the kids. The set is meticulously designed, and includes what was at the time the most expensive movie prop in history – a fake tree. The original tree was taken down between the movies so they had to construct a fake tree to match, with every leaf carefully hand painted. And I thought architects dwell on details too much…
We then explored the areas around Lake Rotorua, before heading over to the Karangahake Gorge and Coromandel Peninsula where we kept seeing more stunning sceneries, many reminiscent of northern California but much more dramatic, grand, and lush – plus you see a lot more sheep. Geysers and natural hot springs were some of the highlights from this area. At Hot Water Beach, visitors who arrive at low tide can dig a pit on the beach and enjoy the ocean front natural hot spring until the tide comes back in.
New Zealand is a beautiful place with hospitable people. We are already planning another trip to explore the South Island the next time.
Before heading back to SF, we traveled to another place where cars drive on the left to spend some time with the family and eat good food. Here are a few fun extracurricular activities we explored while in Japan:
MORI Building DIGITAL ART MUSEUM teamLab Borderless
I had seen the works of teamLab a few times before, in the US and Japan, but this was definitely the largest by far. It’s basically a 10,000-square meter indoor amusement park filled with their greatest hits.
Part gallery, part model maker and storage service, this place typically has interesting architecture related exhibits all year around. There was one show on Corbusier and another one showcasing architectural models from select architects in their 30’s. Very inspiring.
Roppongi Hills and Mori Art Museum:
Mori Museum was hosting a very well done exhibit on the history of Japanese architecture. It did a fabulous job of mapping out a very concise picture of the evolution of the architecture in Japan, from very traditional to the arrival of the west/modern and to the modern architecture Japan is now well known for. Having only studied architecture in the US, it really helped to connect the dots from my perspective.
Tanihata Kumiko Ramma Showroom:
I also had the chance to visit the showroom of Tanihata. Kumiko is an amazing woodworking technique that dates back to the Asuka Era (600-700 AD) wherein hundreds of small wood parts are precisely cut and fitted together to form an intricately patterned wood screen, called ranma, without any use of fasteners or adhesives. We hope to have it incorporated into one of our projects as a privacy screen for the master bath.
By Bianca Mills
“There are two kinds of travelers. There is the kind who goes to see what there is to see, and the kind who has an image in his head and goes out to accomplish it. The first visitor has an easier time, but I think the second visitor sees more.” – Paris to the Moon, Adam Gopnik
I have always valued the experience of traveling alone and in May I went to Paris by myself for a week. I had been to Paris twice before and on those trips I had lit candles in the Sacre Coeur and watched the sunset from its steps overlooking the city, visited the graves of my favorite artists resting in Pere Lachaise and walked through the expansive tunnels taking in the gravity of the history of the Catacombs. This trip was a somewhat spontaneous venture for the gluttonous purposes of beauty, solitude, food & drink, as well as finally making it to Versailles.
This time around I was more comfortable trying to use my high school level French. My ‘bonjour’ must have been pretty convincing because I got full rambling sentences as a response on my first day, thus abruptly ending the fantasy that I am practically bilingual. I had rented an apartment on a side street near St. Sulpice in the 6th arrondissement. Arriving jetlagged and happy, I spent my first night having dinner at a familiar place, Les Antiquaires, the restaurant where I had spent my 40th birthday on my previous trip. I tucked into a small table between a group of Canadians celebrating birthdays and a group of Austrians on a layover, all of whom would soon adopt me and befriend each other. A few of them individually shared their stories with me of visits to San Francisco, a love affair that ended in Paris, and the hope of a new baby. As new friends, we wrapped up our dinner by inflicting a red wine saturated version of ‘Que Sera Sera’ on the other patrons, which seemed totally appropriate at the time. That night, I walked back to my apartment in misty rain with no umbrella, a relaxed smile and tired, happy tears running down my face. It was the kind of magic that I regularly only imagine. It was charmed. It was perfect.
My first two full days in Paris were quiet. It was over a holiday and most of the city was closed. The weather was beautiful so I just walked. I went through the 6th and 7th arrondissement. Rue Cler was one of few streets where shops and cafes were bustling despite the holiday.
The following day I had breakfast at Café Panis and watched the people crossing the Pont au Double bridge to line up in front of Notre Dame. I visited the Maison Europeenne de la Photographie and took my time looking through the galleries of photographs.
My nephews wanted to FaceTime during my trip so they could see the Eiffel Tower live from San Francisco. So I made a date with them at midnight one night and stood at its foot as it twinkled and glowed.
Me: “I arranged for it to twinkle during our call’.
Me: “No. That’s just what it does every night because it’s Paris and it’s beautiful and I love it here because Paris is magic’.
Café de Flore was a famous gathering place for writers and painters of past times primed for a revolution. It was 4 blocks from my apartment and it was always a good place to start or finish the day. I would alternate between Café de Flore, Mabillon and Café de la Mairie just down the street on the square of St. Sulpice. I’m sure at a certain point, I went to all three in one day.
All that time spent in cafes was my chance to write in my travel journal and finally read a book my cousin gave to me years ago, Bird by Bird: Some Instructions on Writing & Life written by Anne Lamott. It was the perfect book for the trip. It was a metaphor for life, about a process that relies on perseverance despite an internal dialog of imminent failure. It rescues the process with a little blind faith and just enough of my kind of dry humor.
“ I stood there feeling very shy and self-conscious and pleased. Then I said, ‘Do you think it makes my hips look too big?’ and she said to me slowly, ‘Annie? I really don’t think you have that kind of time.’
It’s true. We really don’t have that kind of time. A realization too easily saved for twice a year in a place far from home, but I keep trying.
My last full day, I finally made it to Versailles. I am always wary of tourist traps on vacation after living in San Francisco for so long but Versailles is truly awe-inspiring. The grand presence of it from the bottom of the uneven stone street hill was worth just standing there for a few minutes to admire even though people were piling up in front and I didn’t know where I was supposed to get a ticket or which long line was for what. Another great part of traveling alone is that you decide on your own what is worth a rush.
The gardens are poised to spend an entire day enjoying on their own. Classical music played from hidden speakers and families picnicked along the greens. I walked along the corridors of trees and finally sat on the stairs overlooking the parterres of the garden to take it all in.
That night I decided to go back to Les Antiquaires. By coincidence I was seated at the same table with the same waiter who remembered me from my first night. He told me that if I ever wanted to make a reservation for that specific table it is table eight. Eight happens to be my numerology life path number. It represents balance, harmony and trust in one’s self. It mirrors the symbol of infinity. It has always been a lucky number for me. Of course it was table 8! I told him it was my last night in Paris so unfortunately I would not be needing a reservation. When I got up from my table to leave, I caught his eye and said goodbye. As I walked out the door he waved and said, ‘have a safe trip back to San Francisco’! Good bye for now Paris..
By Ben Welty
This past May I had the opportunity to travel to Portland, Oregon, to attend the Living Future 2018 unConference, an annual gathering, now in its 12 year, that is hosted by the International Living Future Institute (ILFI). The ILFI is best known as the administers of the sustainable design certification program, The Living Building Challenge (LBC), which is widely considered the most difficult green building certification to achieve. A Seattle based collaborative, they’ve emerged on the scene in recent years as a challenger to the U.S. Green Building Council (USGBC) and it’s more commonly known green building certification program, LEED.
While still somewhat considered grassroots in relative comparison to the scale of the USGBC and LEED, as interest and participation in the LBC has grown, so has the reputation of the ILFI and the conference itself. The quantity and diversity of the seminars was evidence of this, as the content avoided going stale and structured themes afforded attendees the opportunity to define their own paths without fear of getting lost in the shuffle of what can sometimes feel like convention center musical chairs. Taking this approach I chose to hone my focus on the somewhat familiar but complex topic of water conservation and policy, while also exploring the less commonly known field of Biophilic Design.
The water issue is complex. It’s the only necessity of life for which humans are in direct competition with every living organism that surrounds us. Compounding this are the difficulties we seem to face when it is made abundant, as it oftentimes remains unsuitable or insufficient for human consumption. 11% of the world’s population are currently without access to clean water while 25% do not have access to proper sanitation. Yet even in the most arid of places we’ve learned to harness it, treat it, consume it and release it back into the environment in a symbiotic relationship with land not necessarily suitable for human habitation. So why the struggle?
Simply put, we have the tools to solve the issue of water scarcity but our policies and practices do not currently support this. These points were made clear as one after another passionate speakers made their cases for water conservation, policy and equity, each noble in cause and abundant in information. However, there did seem to be a lack of a common thread between the extremes of the spectrum to tie it all together. For instance, I could not help but feel a disconnect between the conversations surrounding the obstacles of building modern, private residences in arid climates and the struggles of the city of Detroit as they deal with a public water crisis in their marginalized communities. This underscored a social chasm that is the widening gap of privilege vs. poverty, an issue that is manifesting itself at local, national and global levels. But this in no way diminishes the importance of the individual conversations themselves, because as world populations continue to grow and climate change tightens its grip, water scarcity is quickly becoming one of the most pressing issues of the 21st century.
One possible design solution to this growing problem could be found in the concepts of biophilic design, whose modern incarnation is still somewhat emerging in the broader field of sustainable design. I found Living Future ‘18 to be a great platform for these concepts, as I imagine this group is far too often passed off as hippies-cum-scientists selling the idea of nautilus shell living as a means to saving the planet. But that would be cliché, as its core tenets that combine nature and design in order replicate natural processes in the built environment have shaped a movement that, for the most part, has avoided its mission coming off too literal (Read more about biophilic design and the ILFI’s initiative HERE). This point was made clear at the beginning of nearly every seminar I attended on the subject, a sign that they’re conscious that the stigma still exists. That said, the content by and large proved otherwise and as building technology advances and sustainable living engrains itself into the social conscious, it’s predictable that these interests would be widely embraced by the design community. The results of this is a broad catalogue of well-designed, contemporary buildings whose numbers continue to grow. No longer is “good design” exempt from incorporating sustainable features. In fact, good design and sustainable design are becoming synonymous, if we’re not there already. So, moving forward, I’m anxious to see whether or not biophilic design assimilates into our contemporary design language as fluidly as sustainable design has over the past two decades.
While the breadth of the Living Future conference pales in comparison to the USGBC’s annual Greenbuild Conference, the quality, knowledge and passion of the speakers did not fail to impress. And though this year’s group of exhibiting product vendors leaves much to be desired, I trust that the list of participants will become more robust in the years to come as more manufacturers survive the strict vetting process that is a perquisite to attending. So, as the ILFI and its unConference enter its formative teenage years, I anticipate (and hope) that the next step in its growth will be largely subsidized by the design and building industries themselves, as it continues to undergo the transition from admirable ideology to established principle.
By Lindsey Theobald
ICFF is known for being a High End Furniture Fair that showcases the latest and greatest furniture, finishes, and lighting from all over the world. This last May was my first trip to the fair and now I wonder why I haven’t gone every year. Practically every manufacturer, designer, and product I admire showcased there and it was such a treat to see it all in person. As a specifier of furnishings and lighting, I believe that products are understood so much better when seen in person. Scale, quality, craft, and detail can be realized only when seen in person. And that’s exactly what I was able to do at ICFF.
The show itself was at Javits Convention Center, NYC’s HUGE convention space on the Hudson. However, some of the best showcases were dotted throughout the city as part of New York’s Design Week. One of these treasures was the design gallery NEXT LEVEL. A handful of NYC contemporary designers (Asher Israelow, Eskayel, Hart Textiles, Here Projects, Patrick Weder, and others) curated a large gallery space in NoHo that blurred the line between furniture exhibition and art gallery.
The furniture was crafted to a high level of artistic expression and it was a treat to discuss inception and procedure with the artists themselves. I had picked NEXT LEVEL as a must see because of wood worker Asher Israelow and leather artist Brit Kleinman (of AVO). Asher takes brass inlays to a new level, creating brass constellations in wood table tops and brass rivers in dressers. He collaborated with AVO, an artist of printed leather rugs and tiles that I’ve used in past projects, on a low slung walnut chair with painted leather upholstery. Patrick Weder was a new find for me. His wood and concrete credenzas were insane! Hand carded concrete molded perfectly into beautifully crafted wood credenzas and turned simple furniture into art pieces. It’s wonderful to find new artists and designers and Patrick Weder is one I hope to use in future projects. Another fun find at NEXT LEVEL was Kin & Company, a collaboration between two cousins (get it? Kin?). I had the pleasure of talking with co-founder Kira de Paola about her whimsical side tables and mirrors that are the exact products that can add so much life to an otherwise neutral and “safe” design. I’ve been liking the half circle shape and I saw it reflected frequently in Kin & Co’s work – a beautiful balance between architectural and decorative.
Since it was Spring in NYC, I took advantage of the beautiful weather and walked from NEXT LEVEL in NoHo to my next destination – SoHo. Not only were there multiple New York Design Week pop-ups throughout SoHo, it was a thrill to see other stores and spaces that just had great design. One of these spaces is the Rachel Comey flagship store designed by Elizabeth Roberts and Charles de Lisle. My idea of heaven is where architecture and fashion come together! Lately, I’ve been a huge fan of terrazzo and the store used a concrete version on the floors. The store is located in a former mechanic’s garage, so a bit of the industrial flavor remains in the steel store front and some heavy timber. Those items, plus the terrazzo and the addition of board form concrete walls highlighted by soft natural light from skylights above, create an idyllic serene setting that highlight the clothing on display.
The first night consisted of party hoping in SoHo, starting with the Boffi/DePadova showroom, organized by our friends at DZine here in SF. Boffi is located right in the middle of the design district of SoHo, so I was able to stop in at many more design store happy hours from there, including Artemide, Ingo Maurer, Lee Broom, USM, Foscarini, Tom Dixon, RBW, and Kartell.
The next day was another off-site design stop, this time at the Radnor curated apartment in The Bryant, David Chipperfield’s new residential tower. Upon arriving I was thrilled to see even more terrazzo! Tons of it! David Chipperfield used concrete terrazzo panels on the exterior and interior walls. The terrazzo was gorgeous, with large aggregates of marble and stone in them. Plus, Radnor’s curated rooms were the perfect complement to the stunning apartment. Radnor is a new company formed by the amazing Susan Clark who has a total knack for finding amazing artists and designers and taking them under her wing to curate a showroom of beautiful artists. Radnor currently represents about 11 designers, only a couple of which I knew (Pelle, Egg Collective, and Workstead I’ve used in past projects and am a huge fan of all three). Su is a kindred spirit in terms of the design world. I could easily sense her excitement about each of her designers and that excitement transferred as she spoke about each one and told me their story. I even got to meet one of her designers, a fabulous woodworker name Adam Rogers, whose work celebrates the construction of furniture in its design.
I could have wandered around the city visiting off-site exhibitions all week, but I needed to focus on the actual ICFF fair itself! I thought it may be dull compared to the amazing exhibitions I’d seen so far, but I was wrong. It was amazing to see so many of the brands and manufacturers in-person that I usually only view online. I got to say hello to the folks at Brendon Ravenhill, who supplied most of the decorative lighting for our new office, make new connections at Concrete Collaborative (from San Clemente, my old hood! And they have gorgeous concrete terrazzo!!), and learn about new-to-me designers and manufacturers (Larose Guyon, Hinterland, CVL Luminaires, Sollos, Empire rugs, District Eight, Ercol, I could go on and on!). I loved talking directly with the designers themselves and just seeing so many products in person was a huge treat.
Another wish list item for me was to visit Bec Brittain’s showroom and studio. Bec is a lighting designer, originally from Lindsey Adelman’s studio, and now very much successful in her own eponymous line. Each line of fixtures from Bec Brittain feels like individual art pieces, yet I’ve been able to use them in many projects without them looking out of place or too precious. Bec opened her studio for NYC X Design Week and showcased a collaboration between her and John Hogan, a glass artist. I was blown away by their new line, ‘Aries’, where Bec’s lights shown on John’s glass pieces in such a way that each piece threw off rainbows of color, looking different depending on your point of view. Again, her pieces are super fun without crossing the line into gaudy. Her showroom is also her working studio, so I was able to see prototypes, items used at special installations, custom pieces, and all the baubbles and shiny pieces that get crafted into one of Bec Brittain’s fixtures. I continue to be a super fan of hers!
Many of our SF reps were busy at ICFF too. I got to meet up with Anne Luna from CRI San Francisco to swap stories about what we’ve seen and liked. I attended a cocktail party thrown by Jenne and Adam from Jak-w at the Bolon flagship, which was great, not only because Jenne and Adam are the best, but because I finally got to see the vinyl carpet they’ve been raving about. One night, I was invited to attend a dinner hosted by a favorite of mine, Muuto. The dinner was held in a large space on the 4th or 5th floor of a downtown building that was completely furnished in Muuto sofas, chairs, lights, rugs, etc. As a big fan of Muuto, I thought the place looked awesome. And in a classic NY moment, the dinner was being prepared by nineteen-year-old Flynn McGarry, the boy wonder chef who just opened his own restaurant on the Lower East Side. He has been written up in the Times on a couple occasions, and he’s a bit of a phenomenon, so that made the dinner even more special! Only in NY.
On my last day in New York, I got to meet up with our SF Herman Miller reps at their flagship store. Not only is the store home to the Herman Miller NY offices, it also is home to Maharam. We were treated to a champagne breakfast and then given a $100 golden ticket to spend on anything in the store on the street level. The store itself was super interesting. For each season, the curators make up a family and give them personalities, jobs, interests and use those stories to craft their displays. I forget their entire story, but it was a fun concept to think about while browsing the store. I picked out a Jaime Hayon vase that uses the Japanese flower arranging technique, Ikebana. It’s beautiful and I’m pleased to own an item from a designer I admire. After shopping, we toured the Herman Miller offices; got to try out their newly launched task chair, the Cosm; and then were led on a tour of Maharam to see how they operate, get a glimpse of their sample library, and get a sneak peek at some of their new collaborations.
I needed to stay in NY a couple more days to absorb it all, but I had to get back. I feel now that ICFF is a must, at least every other year, though I’d love to go again right away in 2019. Not only was it an opportune way to see so many products in person, it was great to meet up with so many SF reps and designers 3,000 miles away!
By Evan McCurdy // Photos by Liza Karimova
Recently, Liza and I spent a short rainy weekend in Portland. Traveling around with a group of 8 friends, we were in search of two things: beer and architecture. In that order. We made the most of our first day in Portland by exploring Kengo Kuma’s pavilions at the newly renovated Japanes Gardens. It was an absolute architectural gem. Soon after, we found ourselves wandering from brewery to Powells bookstore to brewery to Voodoo donuts. We also managed to discover many street murals, food trucks, and coffee shops. Not bad for under 48 hours!