Staff Spotlight: Sophia Beavis...

Q: Where are you from?

I’m from here! I grew up down in Palo Alto, then went to the University of Washington in Seattle for undergrad. I came back to Palo Alto for a year to work in an architecture firm nearby, then moved to Eugene, Oregon and attended the University of Oregon for grad school. After graduating I moved to Tahoe for a year to work at a residential firm, then back to San Francisco where I live now. I like to say I’m from the west coast, although I did study abroad in both Italy and Copenhagen while in school.

Q: Who is in your family?

I have a gigantic family, and it’s really close knit. My immediate family includes my husband Charlie, my brother, parents, and I, but I have 13 cousins and my mom is one of five sisters. There are 29 of us on my mom’s side and we get together at least once a year. Like I said, tight knit. I actually grew up a mile away from my aunt and her family, so I saw my cousins a lot. Charlie’s parents live in Half Moon Bay, so his side of the family is nearby to. I always thought it was nice to have family close by.

In terms of careers, my husband is a special education teacher here in the City, my dad is an engineer of supercomputer architecture and mom is a strategic implementation manager at Wells Fargo. I say she makes processes more efficient– she really likes efficiency. I think that’s where my love of efficiency comes from. My brother also works at Wells Fargo, but he’s a strategy and data analyst for one of their internal groups. He’s a year and half younger than me so we grew up pretty close. We never fought as kids and were always close friends.

Q: Describe your favorite movie or book in a way that would make me want to read/watch it.

Let’s start with my favorite movie. Actually, I don’t know if it’s my favorite, but there’s a story that goes along with it. So I don’t like flying, but I did a lot of it since I went out of state for college. Back in the days before in-flight movies I would keep one movie on my Ipod- Legally Blonde. It’s now become very comforting and I tend to watch it anytime I feel stressed, or anxious. I feel like it’s similar to eating good mac and cheese. Comforting.

Favorite book is harder, I love most of the books that I’ve read. Right now I am loving the Dharma Bums – I love the idea that you can’t fall off a mountain. The biggest problem my husband and I have when we move apartments is the number of books we collectively own.

Q: When did you first develop an interest in architecture?

Architecture has sort of always been in my life, my grandpa was an architect. My cousins and I used to spend chunks of the summer at his house. He’d take us to his office to play with blueprint machines, pencils, and trace. Back then though, I wasn’t really aware of what architects did.

In college I was on the crew team and therefore got priority registration for classes so that they didn’t conflict with our practice times. This meant that I could enroll in difficult to get classes. Freshman year I signed up for art, calculus, and calculus based physics. Sometime during the year my art teacher held check in’s and asked me what I wanted to do. I told her I was thinking about structural engineering, since I like both building and drawing. She asked me if I’d ever considered architecture and that was my light bulb moment. It was when architecture first really entered my radar. The timing worked out too, I transferred into Architecture my spring quarter of freshmen year and started the prerequisites the following fall quarter!

Q: What kinds of projects do you most enjoy working on?

I had sort of a funny path to get to where I am now. Both my 1st and 2nd jobs were at residential firms, so after working there I thought I should try something else. While working at EHDD in the city, I designed aquariums, schools, student housing– all giant projects. They were so massive that the career path at that firm, to me, was to become a project manager, and that doesn’t necessarily involve a lot of design. I like our projects because you can work both with design and with consultants. You get to wear a lot of hats. I also really enjoy projects that have constraints—like particular quirks of the client.  One fun instance was when we had a client tell us “we want chickens on our roof!”

Q: How long have you worked at FA?

I’ve been here a year and a half now, since September of 2016.

Q: What makes our office unique?

I like our size, we’re not too small or too large, it still feels like a family. We also have a lot of different projects going on at the same time, so lots of interesting things are always going on around the office. Everyone here is really smart and works hard, which I think is pretty unique. Everyone is just good at their job.

Q: What’s your favorite part about coming to work?

I love bringing Moo (my dog) to work. Plus, if you couldn’t already tell, I like the people here. I like my projects too. And I don’t get bored.

Q: Do you have a professional role model?

My role model has changed over time, I think that there are a lot of amazing women in architecture, but at the same time, there aren’t. There are a lot of different people I respect but I don’t think any of them are famous. I just have a lot of amazing people in my life.

Q: What’s your design process like?

Sometimes a little schizophrenic, like my brain, but it all comes together. I like to use a lot of tools at once, so I tend to have trace, Sketch Up, Revit and everything else open at the same time. I like to leverage them all together. I’ll zoom out to look at the massing of a building but also focus on the small details. It can seem chaotic since there are so many moving parts, but that’s how my brain works.

Q: Where do you see yourself in 10 years?

In 10 years I see myself moving out of San Francisco to somewhere more in nature, raising kids with my husband, working at a firm on the weekdays, and taking the family on adventures on the weekends. I really enjoy being out in nature, especially for running! I like to run really long distances on the weekends. I ran a 50-miler in Marin County one weekend and it took me 11hrs and 22min. We started in Marin and ended it by running across the Golden Gate to Chrissy Field. It was potentially one of the hardest things I’ve ever done, but also one of the most satisfying. I was laughing and smiling and crying as I crossed the finish line. There were just so many emotions all at once.

Portland in 48 Hours...

By Evan McCurdy // Photos by Liza Karimova

Recently, Liza and I spent a short rainy weekend in Portland. Traveling around with a group of 8 friends, we were in search of two things: beer and architecture. In that order. We made the most of our first day in Portland by exploring Kengo Kuma’s pavilions at the newly renovated Japanes Gardens. It was an absolute architectural gem. Soon after, we found ourselves wandering from brewery to Powells bookstore to brewery to Voodoo donuts. We also managed to discover many street murals, food trucks, and coffee shops. Not bad for under 48 hours!

 

Third Thursday April 2018: Jefferson Mack Metal...

By Serena Brown

Asking myself where to properly store a custom fire pick in my apartment was never really a question I’d anticipated asking. However it’s exactly the mental discussion I found myself in after spending an enjoyable and informative evening at Jefferson Mack Metals.

For our most recent Third Thursday, the office was invited to participate in a blacksmithing demonstration with Jefferson in his San Francisco workshop. As a full-time blacksmith, he is dedicated to creating beautiful, unique, honest pieces, rooted in the traditional aspects of metal working. Our experience was equal parts learn by demonstration and learn by doing, as we were able to take part in creating our own metal art with the help of the talented workshop designers.

The evening began with a meet and greet over charcuterie, followed by a quick gallery tour. Jefferson Mack is known for innovative metal design, the more “out-there” the better. The small room was filled with delicate sculptures, wall pieces, and serpentine furniture. Our designers were particularly drawn to an upright pendulum, situated at the front of the garage workspace. As we admired the array of pieces, Jefferson explained the history of his practice and the different collaborations that had occurred over the years. In conjunction with Aaron Gordon Construction Inc., he hosts monthly workshops similar to the one we attended in order to allow suppliers and clients alike to get a taste of the process behind their requested pieces. He’s also worked with various artists and other creatives to forge everything from gazebos to cutlery!

Before beginning the hands-on portion of the evening, Jefferson sat us down for introductions and an explanation of the process. Then, in groups of three we began forging our fire picks. To begin, the steel metal rod was heated in one of their few furnaces to a temperature of about 2246 degrees Fahrenheit. Together with a resident blacksmith, we each hammered the tip to a point, bent it over an anvil at a 90 degree angle, shaped the handle, and added decorative twists.

Since our group was only 10 large, each interaction felt extremely individualized. I was able to spend as much time as I desired hammering, twisting, and perfecting my piece. The atmosphere was lively and comfortable, and not as hot as I’d expected! The entire process took a little over an hour, leaving plenty of time for chatting and refreshments at the conclusion of the evening.

Before departing, we were able to watch Jefferson in action, forging delicate spirals out of the hot metal with seemingly little effort at all. He also passed around a few small pieces from his gallery, and opened the floor to questions. The conversation focused around the history and background of blacksmithing, at what age each artist started, how long an apprenticeship generally lasts, and what metals they typically work with at the shop.

At around 8pm it was time to leave and we were all struck with a similar thought: Would BART or an Uber be a more appropriate mode of transportation home while carrying a newly forged fire pick? We were split on the answer.

Our experience at Jefferson Mack was warm and inviting in more ways than one and a truly beneficial experience to designers and office assistants alike! Now all that’s left is finding a fireplace or planning a company camping trip to use our new tools! We invite you to learn more about their fantastic studio and the craft that they’ve mastered on their website!

Thank you so much for having us Jefferson and we look forward to collaborating with you in the future!

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Staff Spotlight: Humbeen Geo...

Q: Where are you from?

I grew up in the San Fernando Valley, a suburb of Los Angeles. It’s a stereotypical suburb with very little of interest. Though the actual neighborhood was fairly boring, the upside to living there was its central location to both downtown proper and Malibu beach. Everything was a 25-30 minute drive away.

Q: Where did you go to school?

I went to Berkeley, which is when I moved up to the Bay Area. College was a great experience. It was my first time living on my own while meeting a ton of new people. Plus, I loved the food. I actually ended up staying in Berkeley a year after graduation before moving up to San Francisco.

Q: Tell me about your family.

Both my parents emigrated from Korea. My mom stayed at home while my dad was a dental technician/ceramicist. He made dental veneers, which was decently lucrative in LA. Lots of people want nice teeth there.

I have two younger brothers, Humsheen and Humjune (gets confusing, I know). My parents put us in the same group activities when we were younger. I think we all secretly chafed at the same forced interests; we’ve since greatly diverged in our studies and hobbies. Humsheen recently moved up to San Francisco to work in software at Pinterest. Humjune is living in Santa Cruz, but I don’t actually know what he’s doing. Last I heard, he was working at a chocolate confectionary as a baker.

Q: When did you first develop an interest in architecture?

Growing up I had no exposure to architecture. I didn’t know anyone who worked in the industry. When it became time to choose a major for college, I decided on architecture almost on a whim. Therefore, I was thoroughly pleased that I did, in fact, love architecture: the layered scales of design and its applied nature. I liked that there were rigorous problem solving constraints behind the art.

Q: What kinds of projects do you most enjoy working on?

I’ve enjoyed small scale projects where I can go deep into detailing and idiosyncratic considerations of each client & house. I like staying involved with the interiors, specing fixtures, finishes, and designing casework. I would love to work on a super sustainable house sometime in the future.

Q: How long have you worked at Feldman Architecture?

I’ve worked here since fall of 2013. I was a contractor until becoming full time in 2014. My first job out of college was working as an intern at Steven’s old company. I ended up joining him when he made his transition here.

Q: What makes our office unique?

Well, it’s the only one I’ve been exposed to so far. I’ve heard horror stories from my friends though. Architects may go to school for design, but when they get promoted or start their own business, they suddenly become business managers who lack the fundamentals of running a business. Compared to other places, the fact that we even have staff meetings on Mondays is unique. There is a level of transparency in this office that I greatly appreciate.

Q: What’s your favorite part about coming to work?

The people. I’ve been here a really long time so I’ve gotten to know a lot of the team. Everyone here is very easy to work with. The variation of tasks alone makes each day feel different.

Q: Describe your ideal weekend

I’d be camping– either on a road trip or backpacking. Currently, I really want to visit Montana, where I’ve never been. I’ve mostly camped in California, but I recently went on a van trip in the southwest. Every day we went to a different national park, while hiking most of the day. It was pretty perfect.

My favorite place to backpack is the John Muir Trail. My housemate recently did a month long trek from Yosemite to Whitney.

Q: Do you have a professional role model?

I don’t like role models in general, but I have firms that I really like. My current favorite is Snohetta, they’re based in Oslo and New York, but they do have a satellite office in San Francisco during their time working on the SF MOMA addition. I like their portfolio of work. It would be really exciting to design big, public spaces like opera houses and museums. They are a multifaceted design firm, complete with their own branding division.

Q: What’s your design process like?

A lot of iterative sketching. There is a lot of inspiration online. I feel like that could easily turn into a crutch, but reference images and case studies are often very helpful. It’s important to always be cognizant of the site context; we aren’t designing on blank tableaus.

Q: If you could live forever, would you?

You know, there’s a difference between immortality and invulnerability. If I was just immortal, definitely. I think I would explore nature with all my free time. I would never run of out places to explore, even with multiple lifetimes. A lot of the bad rep around immortality comes from people thinking they would get bored. But so much is happening and technology is ramping up! The future is exciting so I’d like to see it.

 

East Asia Tour: A Cultural Trip Through Thailand & Vietnam...

By Ben Welty

My wife and I spent our honeymoon in southeast Asia this past January visiting the northern and southern regions of both Thailand and Vietnam. The first stop was Chiang Mai, Thailand, for temple touring, hiking with and feeding and bathing rescued elephants at a preserve, white water rafting, and visiting remote villages via ATV in the Golden Triangle. However, the best part of our stay was participating in a Thai cooking class where we got to visit local markets and using the ingredients we found there to make our new favorite Thai dish, Khao Soi! After Chiang Mai we were off to Koh Lanta in southern Thailand for some rest, relaxation, snorkeling and motor biking before heading off to Vietnam.

We spent our first night in Vietnam in Hanoi before making the trip to Halong Bay for a 3 day, 2 night cruise. Though overcast for most of the trip that did not take away from the experience of exploring one of the most unique geological formations in the world. The views were breathtaking and it was truly an amazing experience waking up on the water in the midst of towering, monolithic limestone islands covered by rainforests. Finally, our last stop was Ho Chi Minh City where we spent our last few days exploring the city, taking in some somber history at the War Museum, and dining at a rooftop restaurant during a very rare Super Blue Moon.

Overall it was an amazing experience! Great people, great food and great culture. We will be visiting again!

Filoli Photo Journal...

By Liza Karimova

The tour begins! Here we see the front facade of the 1920’s house. It was based on the Muckross house in Ireland, as an attempt by the owner to make their daughter and Irish husband live in America. Only the front 2 columns were made out of marble to cut costs, and all materials are locally sourced. The walls are 4ft thick and hollow in the middle. Fi-lo-li is short for Fight, Love, Live, words that the original owners lived by.

Many of the rooms in the house, just like this one, are replicas of famous libraries and chambers from all around Europe.

The house is known for it’s numerous charcoal portraits by John Singer Sargent.                                             To avoid disturbing the line of sight, the light switches are hidden in the columns!

There are 16 acres of gardens!

Thousands of tulips are planted every year. Right now they are in full bloom.

The garden remains mostly unchanged from what it was in the 1920’s. Except for the addition of an olive tree grove, and some fruit and vegetable species.

Irish yew trees are strategically scattered around the garden to anchor the view.                                                                                          Hairy tulips!

Percy, the only inhabitant of the gardens!

To learn more about Filoli and how to plan your own visit, head on over to their website!

Staff Spotlight: Evan McCurdy...

Q: Tell me about your background

E: I grew up in east bay, in Pleasant Hill, CA near Walnut Creek. I went to Diablo Valley College and UC Berkeley. I was at DVC for 3 years, then in 2014 I transferred and finished my last two years at Cal. Ever since I became interested in architecture I was interested in Berkeley; so I made sure I had all my requirements and units lined up then switched.

Q: Who’s in your family?

E: My dad is a contractor, so a lot of my early architecture exposure was hanging out with him on job sites. He still works as a contractor now and sometimes he asks me to do drawings for him. My mom works in the city, for the State Bar of CA. She isn’t an attorney herself, rather she manages an ethics branch for the bar exam for lawyers. She deals with ethics for any attorney that practices law in CA. I guess you could think of it as similar to a building code for architects. I also have a younger brother, seven years younger than me actually, who is still in high school.

Q: When did you first develop an interest in architecture?

E: When I was eleven years old I was given a school project to build a scale model of a house. A lot of people built dollhouse looking things, but my dad suggested that I build a replica of a Don Olsen house instead. I ended up building a scale model of his modern house. All these kids had little McMansion looking things and I came in with a modern glass box.  It was the first architecture project I ever worked on; I remember thinking it was super fun to build and do something architectural hands on. I didn’t really think about it again until applying for college, when I realized I probably wouldn’t become a professional baseball player.

Q: What kinds of projects do you most enjoy working on?

E: At this point, I don’t think I’m constrained to liking a specific style or type of project. Anything that gives me a unique challenge or a fun puzzle to solve is what I enjoy. I’ve worked on some urban residential, commercial, and houses in rural settings, and they all present interesting design challenges that are fun to attack in their own way.

Q: Are you excited about any projects in particular right now?

E: Right now I’m really excited about the Portola Valley View, which has just gone under construction. It’s a remodel of an existing house in Portola Valley. It’s a cool concrete structure that we’re completely remodeling. I’ve worked on a few projects at Feldman, but this is the first project I’ve worked on from feasibility study through schematic design and its complete construction set.

Q: Do you have any odd pet peeves?

E: This is a tricky one. I feel like I have a lot of pet peeves, I don’t know if they’re odd though. I feel they’re very generic things, like one of my biggest pet peeves is people chewing loudly, or with their mouth open. Nothing else is coming to mind…

Q: How long have you worked at Feldman Architecture?

E: I interned at Feldman three years ago in the summer of 2015. I then finished up my senior year of college and came back to work full time in the summer of 2016. Being an intern meant less responsibility and more fun. I worked on tons of tiny little projects, just doing renderings, models, presentations… you now, just bouncing around. I worked on 15 different projects in the 6-8 weeks I was here! But all tiny little tasks. Now I’m more focused a larger aspects of fewer projects.

Q: What do you think makes our office unique?

E: This is the only real job I’ve ever had and I’ve never worked at another architecture firm, so I have no point of reference. But I think our collaborative culture is exciting, and it’s such a tight knit group of people that are really fun to work with. That, and the fire pole in the middle of the office.

Q: What’s your favorite part about coming to work?

E: Dogs.

Q: Do you have a professional role model?

E: I guess my favorite architect is Peter Zumthor. He’s a Swiss modern architect who is extremely good at creating simple, understated, beautiful, buildings without over-designing. I don’t really know how much to say about him, but I think the type of architecture he does responds incredibly well to the environment in very simple and elegant ways. It’s a lot of what I aspire to design. I actually wrote a paper about one of his projects, a little chapel he designed in Germany, when I was a junior in school. He has a skill for making architecture that is considerate and appropriate while still being moving.

Q: What’s your own design process like?

E: I’m a very young architect with very little experience, so I would say it’s constantly evolving and changing. I don’t think I have a specific style or way of designing other than I like to look at each project as a new journey or process. I try to follow a process that allows me to respond to the unique challenges of the client and site; just responding to the environment and in elegant way. It draws from the same exact experiences I was talking about before, with Peter Zumthor. I think having a goal of designing something that’s simple and understated that makes sense for its context is really important. I also really like to look at other professions for inspiration. For example I love looking at artists, comedians, and chefs. I think their approach to the creative process is incredibly interesting. It applies to anything, and all of those professions and their unique processes can all be translated into architecture in some way or another.

Q: If you could switch places with one living person for the day, who would you choose?

E: I suppose Elon Musk. He gets to design things, shoot things into space, think about public infrastructure, influence society, and drive a Tesla.

African Expedition...

By Matt Lindsay

At the end of 2017, my wife Abby and I traveled for just over two weeks to South Africa and Victoria Falls.  The main purpose of the trip was to visit Abby’s cousin and her family, who are currently serving their third tour as employees for USAID in Harare, Zimbabwe.  We agreed to meet them in Cape Town for the Christmas holiday, but spent the first four days of our vacation in the eastern South African Lowveld on the Timbavati Game Reserve.  From our lodge in the bush, we were treated to twice-daily guided game drives where we saw an unbelievable array of wildlife: endless birds, baboons, leopards, lions, giraffes, rhinos, elephants, and more.

After relaxing days on safari, we flew to Cape Town to meet up with our family for the holiday.  Despite being a world away, Cape Town felt very familiar to us San Franciscans.  The center city is densely populated and sits at the foot of towering mountains that overlook the broad bay.  During our stay, we experienced some of the city’s most popular attractions, with a hint of Bay Area nostalgia: urban hikes (Lion’s Head and Table Mountain), great museums (Zeitz MOCAA), wine regions (Stellenbosch), a decommissioned island prison turned historic landmark (Robben Island), and even an impending water crisis…

After Christmas, we flew from Cape Town to the border of Zimbabwe and Zambia where the Zambezi River surges over Victoria Falls and cuts a narrow canyon through the surrounding hills.  Despite a few frustrating border crossings and battling the crowds at the falls, we found unmatched natural beauty at the falls and in the surrounding river valley.  From our river lodge, we were also able to explore local villages and spot more wildlife including hippos, crocodiles, monitor lizards, and monkeys.  After fifteen incredible days, our first visit to Africa was over and we made the long journey by plane straight over the top of the globe and back to San Francisco.

2018 Spring Newsletter...

Spring Has Arrived at the Firehouse!

Despite the rainy weather in the first few months of 2018, we’ve been keeping busy here at Feldman Architecture with staff hires, exciting events, and new projects on the horizon!

We’re pleased to announce that our recently completed Slot House(below) in Los Altos Hills will be showing at the 2018 AIA Silicon Valley Home Tours on May 5th!

Purchase tickets for the event here!

Photo by Harold Gomes

 

On Thursday, May 31st, we will be hosting an Open House in our newly renovated Firehouse Design Studio. We are looking forward to officially introducing our firm to the neighborhood!

In addition to welcoming neighbors, colleagues, and friends to our new home, we have partnered with Rebuild Wine Country and will be raising money during our event to support efforts to rebuild the communities that are still recovering from the North Bay Fires last October.

 

We will be holding a raffle during the event and would greatly appreciate any gifts you would consider contributing. If your company would like to participate by donating goods or services for our raffle, please contact us at info@feldmanarch.com. All participating companies will be added to our sponsors list and acknowledged via newsletter after the event!If you’re interested in giving a monetary donation to our cause, please do so HERE! Thank you for your support!

Rebuild Wine Country, in partnership with Habitat for Humanity

Feldman Architecture is continuing our commitment to the AIA 2030 Challenge, pushing our buildings to be carbon neutral by the year 2030. Last month we hosted our local 2030 Working Group, where sustainability leaders from firms across the city came together to discuss their progress towards meeting their ‘green goals.’

We looked at the data we’ve collected, issues we have come across, and strategies to reach carbon neutrality. Reporting for 2017 was due at the end of March, and the group will meet again soon to look at how we all fared on our way to meeting our 2030 goals.

We’ve also already welcomed three new faces to the team this year! Serena Brown joined the firm as our newest studio assistant. She’s recently returned to the bay area after living a year abroad in Japan. Quick to pick up the inner workings of the office, she is now working to expand her architectural knowledge. Chris Kay (the second Chris in our office now) recently moved to San Francisco from Birmingham, Alabama. He’s worked in machine shops and robotics labs and is excited to turn his attention back to his first love– architecture. Michael Trentacosti is our newest hire and comes to us from New York. He is passionate about green design which is reflected in both his work and his love for the outdoors.

Some of our staff members have had the opportunity to travel in the recent months. We’re especially jealous of Ben and Matt who traveled to East Asia and Africa respectively. Stay tuned for more on their adventures on our blog later this month!

With our portfolio constantly expanding, we invite you to follow us on social media.  Please check out our Facebook, Instagram, Twitter, Pinterest, Houzz and of course our website to view all of our latest projects. We hope everyone has had a successful and fulfilling 2018 so far and we look forward to connecting with you all this year!

– Feldman Architecture

Third Thursday March 2018: Hope Mohr Dance...

By Serena Brown

As an architectural firm, we’re always looking for new ways to expand our creativity and invite new inspiration. At our latest Third Thursday, Hope Mohr, of Hope Mohr Dance, stopped by to share her own unique creative process and offer some advice on what values we as artists could share.

A world famous choreographer, curator, writer, and Columbia Human Rights fellow, Hope has striven to deconstruct the intersection of dance and poetry, while continuously supporting her fellow artists. She pulls inspiration from other creatives around her—painters, writers, even historical buildings and their illustrious beginnings.

Hope began the session by introducing us to case studies based on two of her previous works, Stay (2015) and Precarious (2017). She familiarized us with her inspirations for both and the way she harnesses her dancer’s agency during the creative process. Creating art for art’s sake is a strong motivator for her pieces, as she isn’t afraid to bring the audience into the realm of the uncomfortable.

Photo: Hope Mohr Dance

In order to make her dances evoke the same feelings as that of a painting or work of literature, she spends months researching and preparing potential artistic influences. Her 2015 piece in particular, drew inspiration from the works of Francis Bacon and his use of saturated colors, distorted figures, and arrow motifs.

Photo: The New York Times

One of her goals for the performance was to force both herself and her audience to stay longer in moments of discomfort, and to incorporate uncommon silhouettes and images. She noted, to our interest, that she often choreographs her pieces without music, and has a sound engineer create the soundtrack at a later date. In this way the movements are a direct response to the physical subject matter, rather than the instruments of a song.

Photo: Hope Mohr Dance

Towards the end of the hour, Hope touched upon one of her upcoming pieces extreme lyric I and asked our staff for an architect’s point of view on using polarized light. The discussion that followed evolved into a conversation about the ‘client’ of her work, be it the audience, dancers, or even herself. When designing a building, the client is more often than not involved directly in the creative process. In her dances however, Hope was wary to identify a specific client, for her works are not entirely for the dancers nor the audiences who view them. The question of clientele holds true for any artist, who exactly is one creating for?

Our time with Hope concluded with her sharing a list of values she’s cultivated over her many years as an artist. She encouraged us to properly do our research, and to be receptive to what the work wants, rather than what we want. She also noted that what a project calls for on its surface may be different from its driving force and to never stop doubting throughout the entire process. Reaching out into the unknown is also a key point to her, as is spending time with yourself in solitude, in the “real, secret studio.”

Her advice rang true with many of our designers, who, despite a lack of dance background, could relate to and understand the unique struggles of a creative. We all hope to see Hope’s new performance extreme lyric I in October of this year and if we’re lucky enough, have her come back and speak again.

Photo: Hope Mohr Dance

Thank you for the inspiring talk Hope!

Check out Hope Mohr Dance’s upcoming performances on her Website

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